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MASSYS, Quentin St John Altarpiece oil painting reproduction


St John Altarpiece
1507-08 Oil on wood, 260 x 504 cm
new4/MASSYS, Quentin-478772.jpgPainting ID::  32405
 

 
 
   
      

All WEYDEN, Rogier van der Oil Paintings
 
 
WEYDEN, Rogier van der St John Altarpiece oil painting reproduction


St John Altarpiece
1455-60 Oil on oak panel, 77 x 48 cm
new18/WEYDEN, Rogier van der-494734.jpgPainting ID::  51157
 

 
 
   
      

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WEYDEN, Rogier van der St John Altarpiece oil painting reproduction


St John Altarpiece
1455-60 Oil on oak panel, 77 x 48 cm
new18/WEYDEN, Rogier van der-996385.jpgPainting ID::  51168
 

 
 
   
      

All WEYDEN, Rogier van der Oil Paintings
 
 
WEYDEN, Rogier van der St John Altarpiece oil painting reproduction


St John Altarpiece
1455-60 Oil on oak panel, 77 x 48 cm Staatliche Museen, Berlin The left panel depicts the Naming of John the Baptist. Elisabeth lies in bed in the background after giving birth, while the pregnant Mary, the future mother of Jesus, brings the newborn child to his father Zacharias. Zacharias had been struck dumb for his doubts when an angel told him, during service in the temple, that he was to be the father of a son (this scene is shown in the lowest archivolt relief on the left). He therefore has to write down the name of the child. Mary, as the more important saint, is distinguished from Zacharias and Elisabeth by her aureole. The side panels of the St John Altarpiece do not merely show the beginning and end of the Baptist's earthly life. The parallels between the pictorial motifs also express moral conflict. On the left, the chaste Virgin Mary holds the newborn baby in her arms; she and Zacharias are looking at one another gravely, aware of the significance of the event.Artist:WEYDEN, Rogier van der Title: St John Altarpiece (left panel) Painted in 1401-1450 , Flemish - - painting : religious
new21/WEYDEN, Rogier van der-329299.jpgPainting ID::  63861
 

 
 
   
      

All WEYDEN, Rogier van der Oil Paintings
 
 
WEYDEN, Rogier van der St John Altarpiece oil painting reproduction


St John Altarpiece
1455-60 Oil on oak panel Staatliche Museen, Berlin The body of the executed man is part of the foreground group, and the executioner can set his sword against John's right shoulder, shown in a flat plane. At the same time, however, two mourners who belong to the background are placed directly above the cellar stairs where the dead man is lying, and a figure diminished to about one-third of the size of the foreground figures appears to be standing only a little farther back from them.Artist:WEYDEN, Rogier van der Title: St John Altarpiece (detail) Painted in 1401-1450 , Flemish - - painting : religious
new21/WEYDEN, Rogier van der-686559.jpgPainting ID::  63871
 

 
 
   
      

All WEYDEN, Rogier van der Oil Paintings
 
 
WEYDEN, Rogier van der St John Altarpiece oil painting reproduction


St John Altarpiece
1455-60 Oil on oak panel Staatliche Museen, Berlin As a lascivious worldly beauty, Salome wears a magnificent dress in the fashion of French princesses, with exotic decorative items including the pointed head-dress. The background shows the scene of the banquet in which Salome's mother, Herodias, stabs the decapitated head of the Baptist in her hatred for him.Artist:WEYDEN, Rogier van der Title: St John Altarpiece (detail) Painted in 1401-1450 , Flemish - - painting : religious
new21/WEYDEN, Rogier van der-548855.jpgPainting ID::  63872
 

 
 
   
      

All MASSYS, Quentin Oil Paintings
 
 
MASSYS, Quentin St John Altarpiece oil painting reproduction


St John Altarpiece
1507-08 Oil on wood Koninklijk Museum voor Schone Kunsten, Antwerp The monumental triptych welds together 15th century tradition and the new ideas about art which were emerging from Italy. The light effects, the gradation of colour and the interweaving of the composition hark back to the attention to detail, the use of landscape as a backdrop and the rather stereotypical figures of the previous century. , Artist: MASSYS, Quentin , St John Altarpiece (detail) , 1451-1500 , Flemish , painting , religious
new21/MASSYS, Quentin-533396.jpgPainting ID::  64221
 

 
 
   
      

All Hans Memling Oil Paintings
 
 
Hans Memling St John Altarpiece oil painting reproduction


St John Altarpiece
Date between 1474(1474) and 1479(1479) Medium Oil on oak panel cjr
new25/Hans Memling-559759.jpgPainting ID::  86352
 

 
 
   
      

All Hans Memling Oil Paintings
 
 
Hans Memling St John Altarpiece oil painting reproduction


St John Altarpiece
Date between 1474(1474) and 1479(1479) Medium Oil on oak panel cjr
new25/Hans Memling-498494.jpgPainting ID::  86353
 

 
 
   
      

All Quentin Matsys Oil Paintings
 
 
Quentin Matsys St John Altarpiece oil painting reproduction


St John Altarpiece
Date between 1507(1507) and 1508(1508) Medium Oil on wood cjr
new25/Quentin Matsys-779734.jpgPainting ID::  86516
 

 
 
   
      

All Quentin Matsys Oil Paintings
 
 
Quentin Matsys St John Altarpiece oil painting reproduction


St John Altarpiece
Date between 1507(1507) and 1508(1508) Medium Oil on wood cjr
new25/Quentin Matsys-554663.jpgPainting ID::  86524
 

 
 
   
      

All Hans Memling Oil Paintings
 
 
Hans Memling St John Altarpiece oil painting reproduction


St John Altarpiece
Date between 1474(1474) and 1479(1479) Medium Oil on oak panel Dimensions Height: 173.6 cm (68.3 in). Width: 173.7 cm (68.4 in). (central) cjr
new25/Hans Memling-554738.jpgPainting ID::  87606
 

 
 
   
      

All Quentin Matsys Oil Paintings
 
 
Quentin Matsys St John Altarpiece oil painting reproduction


St John Altarpiece
between 1507(1507) and 1508(1508) Medium oil on wood cyf
new25/Quentin Matsys-643948.jpgPainting ID::  89330
 

 
 
   
      

All Quentin Matsys Oil Paintings
 
 
Quentin Matsys St John Altarpiece oil painting reproduction


St John Altarpiece
between 1507(1507) and 1508(1508) Medium oil on wood cyf
new25/Quentin Matsys-596779.jpgPainting ID::  89331
 

 
 
   
      

All Quentin Matsys Oil Paintings
 
 
Quentin Matsys St John Altarpiece oil painting reproduction


St John Altarpiece
between 1507(1507) and 1508(1508) Medium oil on wood cyf
new25/Quentin Matsys-379964.jpgPainting ID::  89332
 

 
 
   
      

All Quentin Matsys Oil Paintings
 
 
Quentin Matsys St John Altarpiece oil painting reproduction


St John Altarpiece
between 1507(1507) and 1508(1508) Medium oil on wood cyf
new25/Quentin Matsys-665796.jpgPainting ID::  89333
 

 
 
   
      

All Rogier van der Weyden Oil Paintings
 
 
Rogier van der Weyden St John Altarpiece oil painting reproduction


St John Altarpiece
between 1455(1455) and 1460(1460) Medium oil on oak panel cyf
new25/Rogier van der Weyden-736954.jpgPainting ID::  89480
 

 
 
   
      

All Rogier van der Weyden Oil Paintings
 
 
Rogier van der Weyden St John Altarpiece oil painting reproduction


St John Altarpiece
between 1455(1455) and 1460(1460) Medium oil on oak panel cyf
new25/Rogier van der Weyden-543836.jpgPainting ID::  89481
 

 
 
   
      

All Hans Memling Oil Paintings
 
 
Hans Memling St John Altarpiece oil painting reproduction


St John Altarpiece
between 1474(1474) and 1479(1479) Medium oil on oak panel cyf
new25/Hans Memling-587338.jpgPainting ID::  92029
 

 
 
   
      

All Hans Memling Oil Paintings
 
 
Hans Memling St John Altarpiece oil painting reproduction


St John Altarpiece
between 1474(1474) and 1479(1479) Medium oil on oak panel cyf
new25/Hans Memling-658449.jpgPainting ID::  92030
 

 
 
   
      
Hans Memling
  
Netherlandish Northern Renaissance Painter, ca.1435-1494 Born in Seligenstadt, near Frankfurt in the Middle Rhein region, it is believed that Memling served his apprenticeship at Mainz or Cologne, and later worked in the Netherlands under Rogier van der Weyden (c. 1455?C1460). He then went to Bruges around 1465. There is an apocryphical story that he was a wounded at the Battle of Nancy, sheltered and cured by the Hospitallers at Bruges, and that to show his gratitude he refused payment for a picture he had painted for them. Memling did indeed paint for the Hospitallers, but he painted several pictures for them, in 1479 and 1480, and it is likely that he was known to his patrons of St John, prior to the Battle of Nancy. Memling is connected with military operations only in a distant sense. His name appears on a list of subscribers to the loan which was raised by Maximilian I of Austria, to defend against hostilities towards France in 1480. In 1477, when he was incorrectly claimed to have been killed, he was under contract to create an altarpiece for the gild-chapel of the booksellers of Bruges. This altarpiece, under the name of the Seven Griefs of Mary, is now in the Gallery of Turin. It is one of the fine creations of his more mature period. It is not inferior in any way to those of 1479 in the hospital of St. John, which for their part are hardly less interesting as illustrative of the master's power than The Last Judgment which can be found since the 1470s in the St. Mary's Church, Gda??sk. Critical opinion has been unanimous in assigning this altarpiece to Memling. This affirms that Memling was a resident and a skilled artist at Bruges in 1473; for the Last Judgment was undoubtedly painted and sold to a merchant at Bruges, who shipped it there on board of a vessel bound to the Mediterranean, which was captured by Danzig privateer Paul Beneke in that very year. This purchase of his pictures by an agent of the Medici demonstrates that he had a considerable reputation.
St John Altarpiece
between 1474(1474) and 1479(1479) Medium oil on oak panel cyf

Related Paintings to Hans Memling :.
| Antonio Mancini, Italian, 1852-1930 -- Young Boy with Toy Soldiers | Felice Torelli--Death of Saint Peter Martyr | Luycks, Frans-Retrato de una infanta-164 cm x 118 cm x 3 cm | Anonimo (Copia Goyen, Jan Josefsz. van)-Paisaje-38 cm x 58 cm | Sir Thomas Robinson, 1st Bt by Frans van der Mijn (or Myn) | | Pete's Shanty (mk43) | A View of the Two Lakes and Mountain House Catskill Mountains | Lady with a Squirrel | Suite of Cardinal Francesco | Portrait of a man |

        

 

 

 
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